Video with the installation process on Win7 | Error "Source file not found"
1. Delete the previous version from the system (if it was before)
2. In any temporarily created folder on drive C: [name of the temporary folder you created]
Deploy from the ISO image, using, for example, WinRar 5.40 archiver, program files:
For 32-bit Windows - from the ableton_live_suite_9.7.2_32.iso image file
For 64-bit Windows - from the ableton_live_suite_9.7.2_64.iso image file
3. In the expanded image, you must add the file, it is not in the image (forgot to put it!) It is
[name of the temporary folder you created] \\ Ableton \\ Live9 \\ Suite \\ Resourses \\ Core Library \\ Ableton Folder Info \\
Previews \\ Devises \\ Instruments \\ Collision \\ Synth \\ Percussion \\ Dark Deep Drum Unpitched Percussion.adv.ogg.asd
To restore it, we take any file with the extension .asd from this folder, and first go somewhere
After copying it, rename it to the one we need: Dark Deep Drum Unpitced Percussion.adv.ogg.asd, after that
We rename the renamed file to the above specified long path. The installer, in his absence, will no longer swear.
4. Launch the installation, from this folder - with the deployed files, clicking on the Setup file, installation will begin
During the installation, we agree and confirm by default, until a request appears, as
name the program folder (defaults to Ableton Live 9 Suite), but if before that there were unsuccessful
attempts to install, the installer taps after clicking the "Next" button and does not go any further. It is solved simply
changing the name of the folder (I just left: Ableton, deleting everything further in the name) and after clicking "Next"
The installation of the program is seamless.
5. After installation, run the program, a registration window is issued, press the top button and see the hardware code
write it down.
6. From the image, copy the Ableton KeyGen code generator, for example, to the Windows desktop, start it by double-clicking and
enter the hardware code on the top line, start the authorization file generation, it will be created with the name Authorize.auz
right there on the desktop.
7. Copy it to the folder where the program was installed (in my case, C: \\ ProgramData \\ Ableton \\) and double-click it there
a program window opens with a message about successful authorization. After that, you can work with the program.
8. Immediately in the program, disable the update by opening Options\u003e Preferences\u003e [tab] Licenses Maitenances in the running program
and in the middle of the window with this tab opposite Get Automatic Updates, put off in the selection field
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Short description
Year / Release Date: 07.2017 Version: 9.7.3
Developer: Ableton
Developer's site: www.ableton.com
Bit: 32bit, 64bit
Language: Multilingual
Tabletka: present
System Requirements: Windows XP and above
Plugins for Ableton
Ableton Live 9 supports VST plugins. There are a lot of VST plugins and listing them all is not possible, but ...
If you are interested in guitar plug-ins VST or VST-plug-ins for drums (drums), then on the page with There is not a bad selection of such plug-ins. In the "Software" section you can also find useful VST-plugins.
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Ableton live 9 suite how to install VST plugins
- Create a VST folder - for example, C: \\ Program Files \\ VST
- Install the downloaded VST plugin into this folder "C: \\ Program Files \\ VST"
- Launch Ableton
- We go to the options -\u003e Preferences -\u003e File Folder -\u003e Plug-in Sources -\u003e VST Plug-in Custom Folder -\u003e Specify our path "C: \\ Program Files \\ VST" -\u003e click "Rescan" -\u003e restart Ableton -\u003e The plugin should appear in the list of installed plugins (item "Plugins") -\u003e To use the plugin, you need to drag it to the desired MIDI track
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Ableton live 9 does not see vst plugins and tools
Q: Live does not see VST. The path is spelled correctly. Rescan does not help. What's the matter?
Q: How to make 32-bit VST work on x64 system?
A: 64-bit Live does not see 32-bit VST and vice versa. Those. for Live x32, only VST x32 is suitable, and for Live x64, only VST x64 is suitable. You can use jBridge or 32 Lives crutches to circumvent this limitation.
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Ableton 9 does not see sylenth1
- Transfer from Program Files x86 to Program Files (or vice versa), rescan or restart Ablik.
- Check if there is a Sylenth1 folder in / Program Files x86 / VstPlugins and in / Program Files / VstPlugins.
- Try to make a full rescan: go to settings, the tab where the rescan button is, hold down the "alt" button and press rescan, this method helped me more than once.
- Most likely you are trying to run the 64 bit version in 32 bit eblton, or vice versa.
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Ableton live 9 does not see waves
The problem was solved as follows, I just put the plugins in the program files \\ vst folder and the aplic saw them there, before that I put it in C: \\ vst
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Ableton live 9 does not see wavesshell9
Option 1:
1. Run the installer
2. Select Waves Tunes and RS56
3. After installation, go to Settings\u003e Applications\u003e Waves\u003e Plug-ins and delete the RS56.bundle file
Option 2:
- Remove "WaveShell-VST 9.2_x64.dll" from the directory for 64-bit VST plugins.
- Launch Ableton Live 64bit
- Close Ableton Live 64bit
- Copy "WaveShell-VST 9.2_x64.dll" from the directory "C: \\ Program Files (x86) \\ Waves \\ Waveshells" to the folder in for 64-bit plugins
- Launch Ableton Live 64bit
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Ableton live 9 does not see nexus
Bit depth Ableton and Nexus must match
Perhaps the plugin needs to be installed in a special folder, or in the program to specify the path to it. It may still be, although it is unlikely, that the program does not see either 32-bit or 64-bit plug-ins. You need to look at which plug-ins the program supports, and when installing the plug-in, choose the appropriate option.
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ableton live 9 no sound in headphones
Ableton live 9 does not save the project
Most likely a problem with the activation of the program. Activate the key for ableton or install the "alternative" version of the program.
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Ableton live 9 does not open track writes error
Try to download the project without VST, if the problem is in some kind of plugin, the project will open
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"this authorization file is invalid on this computer"
Option 1:
Question: I installed Ableton on a Mac, logging into it through the shortcut "Authorize.auz", the first time after installation it goes fine, and the second time he writes to me "This authorization file is invalid on this computer", and every time I have to reinstall it again)
Option 2:
Try to remove and install on a new one, read in the pirate how to install, maybe after installation you need to replace the file
Option 3:
1. Uninstall the old aplica (if there was one)
2. Install a new one (Run Setup.msi)
3. Run the program itself
4. In the authorization window that appears, select - No internet on this computer (or something like that)
5. Next, in the same updated window, select SAVE and save it in the Hardware Number text file (see there)
6. The program does not close !!!
7. Launch Keygen
8. Copy there your Hardware Number from the created text file and click Generate
9. Keygen generates an authorize.auz file. Save it.
10. Next, take this authorize.auz, select it with the mouse and drag it directly into the program.
11. Done
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In today's world, you can create hits and work with music without leaving your computer. This makes the creative process smooth, easy and more convenient. Among the software with which you can create music, you can highlight Untitled Ableton Live 9 Suite. You can download Untitled Ableton Live 9 Suite in Russian our site is completely free. What is hidden in this software technology?
Program description
Untitled Ableton Live 9 Suite created specifically for musicians. Electronic music players Robert Henke and Gerhard Beles wanted to create their own music using computer technology. Already in 2000, they released the first version, thanks to which it was possible to perform live. This program has gained popularity due to such an opportunity as the combination of musical elements, single samples or several sounds.
Ableton Live 9 Suite can change the tempo and tone of audio. To do this, learn how to work with warping. With it, you can quickly combine different music tracks, changing the tempo and tonality, to fit one track to another. Thanks to this program, it is possible to arrange the song, quickly make changes and bring it into a single mix.
Capabilities
Program Untitled Ableton Live 9 Suite, which can be downloaded in Russian can be completely called original and unique, this program combines many functions and capabilities.
Ableton can be considered an innovator, as it allowed to stretch and shift the tone in real time.
- The program has the ability to analyze audio and create a MIDI track based on it. Now you can sing a song and get for it a batch of notes for playing keyboards.
- It is possible to create many different samples from one audio track using the Slice to New MIDI Track function. It also makes it possible to reproduce them in the prescribed manner.
- The program allows you to use a MIDI controller. Therefore, you can safely forget about the computer mouse and use the knobs, faders and control everything with one keyboard.
- The presence of the extension Max For Live, which contains many effects, interface tools for DJs, step-by-step sequencer.
Guitar Pro 5 Free Download Russian Version
Features
This program is a professional tool for creating music and processing tracks. It has a very convenient and intuitive interface with a large number of samples and loops.
A wide selection of sound effects allow you to achieve a unique sound. Tracks can be edited right on the go, using a variety of musical instruments. Untitled Ableton Live 9 Suite is an indispensable tool for working in the studio. You can install the program on Windows 7, 8, 10, Mac OS.
The user of this program will be able to create one from several tracks and become a real DJ, making remixes with original effects.
A clear interface will help you figure it out and understand how the program works.
Session mode
In this section you can find a grid of slots for clips. In it, you can conduct experiments with sound, individual notes, parts immediately before the arrangement. With each cell, you can create one clip. This term refers to a piece of audio. They can be played back together or stopped at certain points.
Do not forget to use a mixer, that is, a section in which you can adjust the volume and panorama. You can use the mute key, which will muffle a specific track. If you put the Solo sign on a specific track, then she will be able to drown out all the others.
The program also contains a crossfader, thanks to which with one click you can mix two tracks together, which is very useful for DJs.
Arrange Mode
This mode is necessary for final mixing tracks. A huge plus is that you can handle the processing of several tracks at once, how much will be necessary for grouping.
You can find the arrangement mixer on the right side of the screen. You can open it completely to familiarize yourself with the details and see which clip is placed on which track.
Using editing in the arrangement mode, you can change the structure of the track, correct errors. A function such as cutting clips and their consolidation is possible.
Download Untitled Ableton Live 9 Suite in Russian - this is the best software for creating music masterpieces. This is not only a working digital sound station, but also a way of translating musical ideas into real life. An intuitive interface will help even beginners quickly master the correct work with musical compositions.
We get the program
If you are an honest licensed user of Ableton Live 9, then you most likely purchased (or are going to purchase) this program in the form of a digital copy on the official website of ableton.com.
In Russia, this is the most common way to purchase a licensed version of Live.
It should be noted that you can absolutely free download from the official site the Trial version of Ableton, which will work properly for 30 days. This is a great option for those who want to understand what Ableton Live is and is it worth it to deal with.
On the official website, we are offered to download the free Trial version, which can function properly for 30 days.
Program purchase
So, let's say you decide to buy a program. In this case, you will need to register on the official website of Ableton.com, i.e. create your profile, and then "put in the basket" the product you need (in my case, it is Live 9 Suite). This will be followed by payment of an impressive amount using a bank card.
If the result of this operation is positive, then the purchased product will appear in the list of available products in your personal account:
In your account account you can always look at the list of purchased products and various add-ons that come with the program.
Now from your personal account, by clicking the "Download" button, you can download the licensed version and any additions to it.
Please note that below the list of purchased products there is an item "Last Successful Autorization"(last successful authorization).
During installation, Ableton Live program always accesses the official website via the Internet, as if “synchronizing” information about your copy of the program with the official website. This is called authorization.
If not, the program "resets" its functionality to the Demo version, in which the ability to save projects is disabled.
Install Live on Mac OS X
Installing Live 9 on a Mac OS X-based computer is very simple. After downloading, open the disk image file (.dmg) and drag Live 9 into the Applications folder on your hard drive. For faster access to Live, you will most likely want to add a program icon to the OS X dock. This is a shortcut bar with program icons. To do this, simply open the Applications folder and drag the Live icon onto the dock. The system instantly makes a shortcut in it. To remove an item from the dock, drag it to the trash or to the desktop, and you will see how it "puuuuf" - disappears.
MAC users, please note:OS X has a built-in storage space for all of your third-party instrument and effects plugins. It is located on the path: Library\u003e Audio\u003e Plug-ins. I think it will be convenient to drag this folder into the “Places” area in your Finder’s window for quick access. Some plugins have installation programs that put files in the designated folder automatically, and other plugins must be copied to this location yourself. Inside the folder "Plug-ins" you will find different folders for each type of plug-in that OS X supports. Live can use VST (which we send to the "VST" or "VST3" folder) or Audio Units (which must be sent to the "Components" folder) .
Install Live on Windows
Installing Live on Windows is much like installing any other Windows-based program. After you open Setup and follow the instructions, the Live installer will ask you where you want to place the Ableton folder and all the files. I recommend using the default settings that install your Live in the Program Files directory.
Also pay attention to the item that determines where your folder with VST plugins will be located. A common practice is to keep VST plugins in one main folder so that every VST compatible program can use them. For example, if you have Steinberg Cubase SX on your computer, then you can specify Live - look for plugins in the folder with VST plugins in the following path: Program Files\u003e Steinberg\u003e Vstplugins, i.e. along the same path that Cubase itself searches for VST plugins.
When you start Live for the first time, you will be given the opportunity to register Live or run it in demo mode. Authorization will open your main web browser and transfer you to ableton.com, where you will need to login or create a new user account. If you downloaded your Live from ableton.com, then the Live 9 serial will already be entered into your account, and the authorization process will begin immediately.
Ableton allows you to install Live on two computers. If you change one of the computers, it is likely that the authorization on your new computer will fail, because you used all your "keys". Do not worry - just send an e-mail to those. user support and explain the situation.
The first launch of the program
During the first launch, the program for several minutes (or longer) installs all the library files necessary for work, and also scans the plug-ins available on the computer.
Be patient, do not worry! It should be noted that on computers released five years ago, Ableton Live is installed especially leisurely.
Most often it happens that after installation Ableton is completely ready for use, reproduces sounds, and functions without problems. In that case, cheers! You can get to work!
Intro to Preferences Menu
A variant is possible when the program does not want to function as it should. There is no sound, or some clicks and distortions are heard. All these problems indicate that you need to look at the Preferences menu - the heart of Ableton Live. It contains all the most important settings, which often not only fix problems that arise, but also make your work with the program more convenient and productive.
Preferences can be opened by clicking in the upper left corner of the menu Options - Preferences(on Mac Os, a little different: Live - Preferences).
Open the "Preferences" menu.
I know for myself that at the first launch of the program there is no desire to get stuck in a cumbersome and yet incomprehensible menu, but I want to get to work soon and try out all the opportunities that have opened up.
But there is one caveat that you need to talk about right now, so that your first acquaintance with the program is not overshadowed by annoying sound delays called "latency".
If you work on Windows, then you will definitely come across them.
The most noticeable delay, for example, is when you play the keys of your midi keyboard (or computer keyboard). Before the software instrument plays your notes, several moments pass. This is the delay that you need to understand at the very beginning of working with the program.
In the case of Mac OS, which has an architecture other than PC, you do not need to install the ASIO driver. Your Mac will already be able to play audio without any delay.
So, the next paragraph in this section is devoted to just the most necessary driver settings on the PC. Then we will begin a detailed analysis of all the other tabs and nuances of the Preferences menu.
Live 9 makes it easier than ever to build alluring drum tracks and musical sequences from scratch. But you never got the feeling that you worked, maybe something is missing a sandy texture, a special assembly, a kind of unique atmosphere?
At this point, you can start hunting through sample libraries looking inexpressible but it often turns out to be futile to rely on samples from other sources to sit well in the context of what you have already moved off the ground, ideally, you need something in the key and scale your composition that fits easily with the atmosphere you set. This may sound like a difficult task, but the answer may already exist in your set.
Construction Back Network
Pic 1: I quickly created a basic electro-breakbeat loop in Session View.
Original Loop:
[Audio ID \u003d "23407"]
I have a repeating loop synthesizer using an instance of Analog. It seems a little bare, so this is what I will try and treat first. I will create a new channel Return using hotkeys Command-Option-T and now we have a new track Back of ready-made effects (Fig. 2), on which I will put Overdrive, a simple delay, frequency converter and Phaser (Fig. 3), in that order.
What is important here is that on a dry / wet dial, a simple delay is set all the way to wet, if there is any percentage of dry bleeding signal through, we can get some unwanted steps and issues such as original notes appear on both channels. I set a simple delay in 1/4 synchronization of notes, without feedback, so they play between 1/2-bar note synthesizer cycles; I then bring the Shifter Frequency into a ring modulator mode, and debugged Phaser to taste resulting in a uniquely distorted response to the original synthesizer line.
Synth Line Plus Return:
[Audio ID \u003d "23406"]
Customize Capture Track
In order to reflect the results of our Return effects for further audio editing, we need to create a new sound track in our set. Using hotkeys Command-T I added a new track and renamed its capture (Fig. 4).
My next step is to hold down the key Shift to make multiple selections from all my return channels, and, with all of them selected, change their audio routing in the In / Out routing matrix to our new track, Capture is marked (Fig. 5). Of course, these channels can be redirected individually, but why waste time?
Finally, I will set the monitoring sources of our Capture track in and arm it for recording (Fig. 6). Now we can start capturing the results of our effects. Return to audio, as well as the buses process of our returning the effect through any sound effects we place on our Capture track.
Capture Wild Audio
Now, only the Synth track game and the corresponding Send amount for our target Return track (in this case, F) is set to maximum, we can initiate recording in a new clip slot on our capture track (Fig. 7). However, as soon as we recorded the desired audio, now we need to create a new audio track for it, and drag the newly recorded clip from the Capture track onto the new, highlighted audio track (Fig. 8), which I Answer here by name.
Editing a new clip, where I can hear it, I quantized audio and switched to tonal warp mode (Fig. 9). Next, I will duplicate this edited clip to a new slot, transpose down the octaves (-12 semitones) and switch it to Beats mode with some modifications of Transitional reproductions to achieve a shorter decay of a single note (Fig. 10).
Synth Plus Low Octave Answer:
[Audio ID \u003d "23405"]
I will duplicate this clip, and return it back, return it back to the Tones Warp mode, transpose it by an octave (12 semitones) and make some time adjustments (Fig. 11). In the end, I think this is the one that I will use.
Synth Plus Higher Octave Answer Reverse:
[Audio ID \u003d "23408"]
Assembly of Echoes
At the moment, I think it would be useful to have an element that will build in or introduce new parts of the song. I will start by working my Funk Stab path through the dashed delay dub 1/8-note I have on Return Channel D (Figure 12). Just as I did with the previously captured item, I will make sure that no other clips are triggered to play the recording, while I have it so that no other effects are returned tails captive.
With the clip and the transport stopped, I can start recording by clicking on the circle of the empty clip slot on the track of our capture. What is important in this case is that I stop playing the Stab Funk clip after only one bar, so that we can let the delay trail off naturally, otherwise we end up with a rhythmic pattern that continues the loop to cause a delay. I will stop recording a tail delay after 9 bars so that we have at least 8 bars of feedback delay to work with (Fig. 13).
Echo Funk Stab:
[Audio ID \u003d "23409"]
Now I will create a new sound track called Echo build and pull our newly captured delayed feedback audio clip to it. Next, I reverse audio, transpose an octave higher, lower the volume, and switch to Tone Warp mode for smooth playback at higher print density. Finally, I turn off the loop, set the end marker to 8 measures (Fig. 14), and also add a little reverb to the room to taste Send through A. Now we have an individual tonal build based on the events and taking into account the elements and setting our track.
Echo Build in Action:
[Audio ID \u003d "23410"]
PRO-TIP: To add to this the inverse of building an effect, try skipping a beat (or equivalent) and through the delay and long tail of the reverb before recording, reverse and process it.
Return to the atmosphere
At the moment, we have called some unique melodic and transitional elements from our return effects, but I feel that the track still lacks atmosphere, so I will capture some reverbs of our deep sounding chords for use as a background panel.
The first thing, I will turn Submit on this track to the maximum (Pic 15). It was only with our deep Accord clip that our armed Capture track was called up, I then recorded in two bars a segment of the surrounding reverb (Fig. 16). Finally, after transferring it to the newly created and the corresponding name of the sound track (which I called reverse chords here), I will transpose the clip 12 halftones up so that to distinguish it from the original signal, switch the Tone Warp mode with the grain size set to 100, and also adjust the bracket loop to the 1/2-bar segment (Fig. 17).
Beats now with an added atmosphere:
[Audio ID \u003d "23414"]
PRO-TIP: In order to have a more dynamic atmosphere, try adding modulation effects, such as a chorus, or Flanger Phaser.
Interstitial noise
Finally, the strokes seem to be a little stale, so now I will capture something more rhythmic to try and spice them.
Dry drums:
[Audio ID \u003d "23411"]
I crank the reverbs on my track to send the drums through B and record the result in our Capture track, as in our previous procedures, resulting in a 4-bar clip (Fig. 18). I will create a new soundtrack for it called the Drum Noise, drag a new clip over, transpose it, adjust the volume and distortion, and reverse the sample (Fig. 19).
Now I will add an automatic filter installed in Hi-Pass to eliminate some lower frequencies, and put the compressor on the way to the side circuit of it from the input of our accents network, find it on 2 and 4 (Fig. 20).
Drums with side chain tapered noise number (9 - barrels with Noise.wav):
[Audio ID \u003d "23412"]
Creating Textural Inspiration
Sound design can be a useful creative search in itself, but you do not have to do everything; your external design is a production context. By integrating these methods with the workflow, you should be able to find and create all kinds of new sounds based on the work you have already done. While we looked at the number of applications for this technique, we only scratched the surface; by getting creative with the initial return of effects, adding effects and automating your captured sound, and even editing it in a completely new loop and patterns, there are all kinds of ideas hiding immediately beyond the surface of an existing session. Do not be afraid to experiment.
Complete circuit integration of all captures based on sounds.
Preferences - Audio
This menu tab allows you to select the type of driver and sound card that Live will use to play sound.
Here you can also find parameters that determine the performance and sound quality. The choice depends on which sound card you have, how it was installed, and which operating system you are running.
When you click the “Audio” tab in the “Preferences” menu, a window consisting of four sections appears (sections are separated by rulers):
- “Audio Device”
- "Test"
Let's consider each of them in order.
Audio Device Section
This section is designed to configure the driver and select your sound card or audio interface.
Driver Type -the first setting you can choose here is the type of driver for your sound card.
On a PC, the menu includes two types of drivers: MME, DirectX, and ASIO. On a Mac, only the “Core Audio” driver type can be selected.
For the copy installed on Windows, I chose the universal driver “ASIO4ALL”, suitable for almost all types of sound cards. Or choose the Asio driver for your E-Mu sound card. When working with this driver, the delays are much less than for MME / DirectX drivers.
In short: thanks to ASIO, audio signals from external sources and commands from Midi controllers fly to Ableton along a shorter route without going into the “gloomy jungle” of the Windows operating system.
The latency of the MME / DirectX drivers is more significant compared to ASIO, because the signal is forced to overcome all the tangled corridors and cabinets of the Windows operating system.
Audio Device Input / Output -in the drop-down menu you can select the type of audio device used for inputs and outputs. In my case, I use my M-audio E-Mu 0404-USB audio card. its two inputs are used to connect microphones and guitars. Its two outputs (Outputs) are displayed on monitors.
Chanel Configuration Popups
Chanel Configuration -under the drivers menu there is an item “Channel Configuration” with two buttons: "Input Config" and "Output Config". By clicking on each button, you will see another pop-up window in which you can activate various inputs and outputs that you can use in Ableton. Those that you activate here will later be available to work with Ableton Live.
It is better to turn off unnecessary inputs or outputs that are not involved in the work. This will save you some computer power.
This tab will become necessary for you if you have overgrown with equipment and are going to configure your system for live performances. If you have a suitable sound card with the required number of inputs and outputs (from 4 or more), then you can turn them on / off in this menu.
Most often, you may need additional inputs if, for example, you want to send the pre-listen signal to a separate output (3/4 stereo output) to the headphones in order to be able to listen to the tracks in the browser while your set is being output to the hall. Or you have an external block of effects, on which you need to direct certain tracks of your set, etc.
Hardware Setup (on Windows) -using this button, the driver settings window of the sound card itself is called up, where the buffer size and latency are set. When you feel that the program is recording sound with a delay, the first thing you need to dig into the settings is here, guided by the manual of the sound card.
The sample rate of the project is selected here. Simply put, it determines how high-quality the sound recorded and reproduced in Live will be, and how carefully it will be calculated. A good option is 44,100 Hz, or 44.1 kHz, this is the frequency that the signal from the audio CD has.
As always, there is a lot of debate on the Internet over which frequency is best used. It makes no sense to analyze it here. I just recommend that you never fall below 44.100 Hz. If you raise the bar higher, then you begin to load the processor. So consider the capabilities of your equipment.
Default SR & Pitch Conversion -high-quality sample interpolation mode, it is better to leave active. If your music requires a more dirty sound, then you can always turn on a lower-quality interpolation in any sound clip you want.
This section contains settings that determine the size of the buffer and the delay time of the sound card. The smaller the buffer size (buffer size), the lower the delay (input / output latency), but the greater the speed required by the computer.
In order to achieve a better result, you need to experiment with these settings (do not forget that the choice of driver also affects the delay - see “Driver Type”, as well as the settings in “Hardware Setup”).
Test
The last section in the Audio tab is the section called “Test”.
This section is designed to test the settings you set in the “Audio” tab.
Test Tone -turns on the test signal. So you can check if there is a sound signal without leaving the menu. You can also judge by it whether there is distortion, cod, or interference. If there is, the computer cannot cope with the settings. Well, of course, you can do the calibration of your own monitors.
Tone volume - adjusts the volume of the test signal.
Tone frquency - allows you to fine-tune the frequency of the test signal. By default, this is the note "A".
CPU Usage Simulator - emulation of processor overload, maximum - 80%. If you have brought the load to the highest values, and did not hear interference in the signal, then you have configured everything correctly.
